QT - Computer Specs for Video Editing / Which PC for DSLR footage (footage with high bitrate)

QT - Computer Specs for Video Editing / Which PC for DSLR footage (footage with high bitrate) Tube. Duration : 5.98 Mins.

Which computer components are most important for editing DSLR Video?? Mo+h3rFuX1nG i7 processor! FORGOT TO TALK ABOUT CUDA CORES I KNOW - If you are trying t...

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DSLR tutorial: Why does my footage jitter? | lynda.com, DSLR Video Tips series

DSLR tutorial: Why does my footage jitter? | lynda.com, DSLR Video Tips series Tube. Duration : 4.92 Mins.

Watch more at http://www.lynda.com/course-tutorials/DSLR-Video-Tips-Rich-Harrington/103707-2.html?utm_medium=viral&utm_source=youtube&utm_campaign=videouploa...

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HDSLR 101 #10: Getting Smooth and Stable Footage

HDSLR 101 #10: Getting Smooth and Stable Footage Tube. Duration : 8.03 Mins.

Download the entire HDSLR 101 series plus a BONUS EPISODE on our store site: store.nextwavedv.com Check out our Gear Guide for links to some of the products shown in this video: www.nextwavedv.com Find more training resources on our website: nextwavedv.com Join our Facebook community facebook.nextwavedv.com Follow us on Twitter twitter.com In episode 10 of HDSLR 101 we show you different ways to get stable footage. From tripods, sliders, dollys, jibs, steadicams and more, we cover all the tools and show you which you need and which you can pass on.

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Spitfire Gun camera absolute action footage - Battle of Britain - RAF

Spitfire Gun camera absolute action footage - Battle of Britain - RAF Video Clips. Duration : 10.98 Mins.

They called them Spitfires.The clue is in the name. Actual combat footage of aerial warfare. World War 2. This is not a political film. Battle of Britain tittle for search purposes. (includes some from Hurricanes and USA 8th)

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HDSLR 101 #11: Editing, Transcoding & Color Correcting your DSLR footage

HDSLR 101 #11: Editing, Transcoding & Color Correcting your DSLR footage Video Clips. Duration : 19.28 Mins.

Download the entire HDSLR 101 series plus a BONUS EPISODE on our store site: store.nextwavedv.com Find more training resources on our website: nextwavedv.com Join our Facebook community facebook.nextwavedv.com Follow Sean on Twitter twitter.com In episode 11 of HDSLR 101 we show you how to work with your DSLR footage for editing, transcoding and color correcting and color grading.

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DSLR Video - Intermediate - Editing DSLR Footage

DSLR Video - Intermediate - Editing DSLR Footage Tube. Duration : 11.32 Mins.

The second of a two part tutorial. Part II takes a look at my Editing workflow for the Canon T2i and Sony Vegas 9.0. Project Settings, Color Correction, Vignetting, Letterboxing, and Exporting are all covered in detail. Directed and Edited by - Luke Neumann Check out our website or like and follow on Facebook and Twitter: www.neumannfilms.net www.facebook.com twitter.com

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Weather airship GPS amplitude flight iPhone camera footage bootleg aircraft 100000 ft distance HD

Weather airship GPS amplitude flight iPhone camera footage bootleg aircraft 100000 ft distance HD Video Clips. Duration : 6.98 Mins.

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Final Cut Pro X: A Look From Past to Present to Future (Complete Footage)

Final Cut Pro X: A Look From Past to Present to Future (Complete Footage) Tube. Duration : 54.87 Mins.

Analog to digital. Flatbed editing to Avid/1. SD to HD—and now to 3D. Final Cut Pro to Final Cut Studio and back to Final Cut Pro X. Where are we? Where have we come from? Where are we going? Throughout the history of film and video editing, there have been many watershed moments that have turned the industry on its head. Each has been met with uncertainty, but ultimately led way to the industry's next paradigm shift. In this special Tekserve event, presented by Evan Schechtman of @radical.media and Outpost Digital, and co-sponsored by Manhattan Edit Workshop, we took a look at the history of digital video editing—with a particular focus on Apple's Final Cut Pro X, and how this just-released software sets the foundation for the industry's next big revolution. ——— Tekserve finesses advanced audio and video workflows, networks, and storage solutions. Tekserve provides unparalleled professional support, consulting, and installation services for the latest hardware and software. Tekserve's Solutions Experts are ready to discuss the customized solutions they can tailor for your business to streamline its operations. Call or email today to schedule a consultation: pro@tekserve.com or 212 381-6363 www.tekserve.com 119 West 23rd Street, NYC

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How to Key Green Screen DSLR Footage in Premiere Pro CS5

How to Key Green Screen DSLR Footage in Premiere Pro CS5 Tube. Duration : 7.22 Mins.

www.learningdslrvideo.com Almost from the start I have been following Fstoppers.com, yes I know it's mostly a photography site and not about DSLR video, but actually it relates to video more than you think. If you ever watched some of their featured videos like the one with the Iphone or even the Lee Morris wedding photography video you will notice that not only do these guys take awesome pictures, but they also create some awesome BTS videos as well. Patrick Hall from Fstoppers contacted me and asked if I would create step-by-step green screen tutorial for Premiere CS5, and I told him I would be honored. Just a quick disclaimer for those not familiar with me and my site, I'm an amateur and I show all the mistakes I make as I learn how to shoot video on a DSLR. That being said, I have been doing green screen work for about 4 years now, but I am totally self taught - so I am not a pro at this. I use cheap halogen work lights for my setup. First up is my 250watt hair light which provides some depth by providing a nice rim light on my shoulder and hair, I made the barn doors out of sheet metal. Next up is my 1000 watt key light that's high up and pointing through a window frame made from nylon stop fabric. My fill light is set to 500 watts which also is using the same screen frame. After that I have two work lights for lighting the green screen, and as you can see they do a bad job, one of these days I'm going to replace them with something better but Premiere Pro does such ...

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How to blush brand DSLR footage! (Editing Tutorial)

How to blush brand DSLR footage! (Editing Tutorial) Tube. Duration : 2.72 Mins.

Free color-style presets: www.fenchel-janisch.com More Tutorials: youtube.com Facebook: facebook.com Fenchel & Janisch DSLR Tutorial Series: How to color grade DSLR and other HD footage! A basic introduction to color grading in Adobe After Effects. This tutorials features different techniques, tools and plug-ins to get a professional looking film. Download over 50 free Adobe After Effects color grading presets designed by Fenchel & Janisch at: www.fenchel-janisch.com Voice Over Moritz Janisch Copyright 2012 by Fenchel & Janisch Filmproduktion GbR Twitter: twitter.com

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California Sunset footage shot on Canon T2i DSLR

I shot this on my canon T2i DSLR camera. Shoots pretty good footage for a prosumer camera. This is catalina island in November 2011.

Nikon D3100 FULL HD RAW FOOTAGE

FACEBOOK: www.facebook.com TWITTER: twitter.com Another video test under the sunset :)

Canon Rebel T2i Footage and Hands-On

The Canon Rebels have a reputation for being great, well made entry level SLRs. While the Canon Rebel T2i maintains the Rebel's reputation for photographic excellence, we were most excited by the video capabilities the camera offers. The Camera Store's Chris Niccolls and Jordan took the camera out to shoot some sample footage and give you our hands on opinions.

Color Correcting/Grading Your DSLR Footage in Adobe After Effects CS5

Here is my tutorial on color grading your HD footage with some extra style and only using the tools that come with Adobe After Effects CS5. Low budget grading for the low budget filmmaker. Super!

Cinema/Film look test for DSLR footage (Canon 550D/T2i Rebel)

Another attempt to create a film look effect adobe with adobe premiere pro. I tried a one color style from Magic Bullet Looks. Used Canon 550d / t2i rebel with 50mm f1.8 lens. All footage filmed on 1080p 30fps and converted to 720p 24 fps For two scenes i used BCC Optical Stabilizer (very good result of this plugin work) Music: Yann Tiersen - Good bye, Lenin! Summer 78

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Panasonic SD60 Footage (HD) Test

Visit my site: www.iglaswegian.com Twitter www.twitter.com My OTHER YouTube channel: www.youtube.com

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I Learned a lot Yesterday Color Correcting my T2i 550D Footage

www.learningdslrvideo.com

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Canon 550D T2i HDR Tutorial and Some Cool Video Footage

www.learningdslrvideo.com I was up in the mountains over the 4th of July and got some cool video footage using my ND filter from Light Craft Workshop and my Canon T2i 550d. I want to get better at HDR with my Canon so in this video I show you another attempt which I think came out pretty good this time. This entire video was shot with the Canon 28-135mm lens - all hand held with no special stabilization rig hardware. The IS and using slow motion can give you really good smooth hand held shots. Music from Archive.org Nu-ka_feat_Voskresenie creative commons. ND Filter used in this video: www.bhphotovideo.com

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Panasonic AG AF-100 01/02 evaluation footage by CREWS.TV

This is an independent evaluation by members of CREWS.TV of the Panasonic AG AF 101/102 micro 4/3 camera. This test was done purely as an experiment to evaluate its performance as a Film making /Television production tool. We did not test it against charts or other cameras, we simply took it for a test drive in what we thought would be its optimal conditions. Our goal was not to find its faults or decide its place in the market nor was it to choose sides in the ever political best camera debates. We are cinematographers who love their craft and love the tools that give us this ability. We only had the camera for a few hours so we decided to keep it simple. The camera is capable of 35mm lenses, so we used a PL adapter and Zeiss Ultra Primes , choosing from our set as we saw fit on the day. We chose to record on the on-board SD cards with the AVCHD codec at 24 mbs but we also opted to use the HDSDI output, recording at 100 mbs on the AVC Intra HD codec to P2 cards. We opted to do this rather than recording to Nanoflash simply to keep it all Panasonic native. We chose this work-flow as we simply wanted to see this camera in the very best light possible. We also had a sound recordist on location who used a dual channel radio link to the camera via its standard XLR inputs. This is a prototype, so there were some technical issues, Panasonic assured us that it would be rectified in the production model. Our test scenes had to be limited to indoor locations as a consequence. It ...

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HDSLR 101 #10: Getting Smooth and Stable Footage

Download the entire HDSLR 101 series plus a BONUS EPISODE on our store site: store.nextwavedv.com Check out our Gear Guide for links to some of the products shown in this video: www.nextwavedv.com Find more training resources on our website: nextwavedv.com Join our Facebook community facebook.nextwavedv.com Follow us on Twitter twitter.com In episode 10 of HDSLR 101 we show you different ways to get stable footage. From tripods, sliders, dollys, jibs, steadicams and more, we cover all the tools and show you which you need and which you can pass on.

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