แสดงบทความที่มีป้ายกำกับ Keying แสดงบทความทั้งหมด
แสดงบทความที่มีป้ายกำกับ Keying แสดงบทความทั้งหมด

วันพฤหัสบดีที่ 20 ธันวาคม พ.ศ. 2555

Advanced Green Screen Keying [After Effects Tutorial]

Advanced Green Screen Keying [After Effects Tutorial] Tube. Duration : 8.25 Mins.


Green screening can be difficult and confusing. Despite your best efforts, you can still get crappy results. You still want to use a good, bright green screen or sheet, and you still want to evenly light it, but this method I've developed will give you consistent and effective results using only the built-in effects that come with After Effects. Sometimes your screen might not be green enough, or maybe has wrinkles and shadows. Learn how to use the Selective Color effect to easily make your green screen greener and remove wrinkles and shadows. Next, learn how to use the various settings in the Keylight effect to key out the screen (screen colour, gain, balance, screen matte's clip black, clip white, despot white, shrink/grow, softness). Next, we'll extract the matte created by Keylight and tweak it using adjustment layers, the Threshold effect, lighten/darken blend modes, a bit of gaussian blur, and then apply that matte back to the original footage using Set Matte effect, thus preserving the original colors often distorted by harsh keying methods. Finally, we'll remove the green fringe and spill by using a method developed by Andrew Kramer of Video Copilot (a much less aggressive key in Keylight, Channel Combiner). Then all you'll need to do is color match, drop in your background, and you'll be good to go! This was filmed using a Samsung HMX-H200 and a Canon EOS Rebel T3i (600D) DSLR, screen captures were done using CamStudio, audio using a Blue Icycle and Shure SM57 in ...

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วันอาทิตย์ที่ 26 มิถุนายน พ.ศ. 2554

Premiere Pro CS5 DSLR Workflow - Keying, Time Remapping & Stills

In this short video, Jason shows you how to use the new Ultra Keyer in Premiere Pro CS5 to pull quick keys from your footage, even with unevenly lit green screen. Once again, the 'key' here (ha ha) is the fact that he's running this process without rendering, leveraging the Mercury Playback Engine solely in software mode. Following Ultra, we'll take a look at the Time Remapping feature (using a mixture of 60fps and 24fps footage), and then showcase the new Export Frame option, which very quickly allows you to extract a still from your video and continue working on it in Premiere Pro or even Photoshop CS5. twitter: @Beatlejase blogs.adobe.com/jlevmedia Camera used: Canon 7D Lens: Canon EFS 18-135mm, 3.5 Machine: MacBookPro COREi7; 8GB RAM, Snow Leopard

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